This is an interview I did with Katie Doolittle from 'Thurston Talks' about how I started rhyming, making beats and DJ Premier putting "Battle Anybody" on his top 2013 list.
http://www.thurstontalk.com/2014/05/26/dawhud-hip-hop/By Katie Doolittle
Mild-mannered
IT guy by day, hip-hop recording artist by night. For musician Dawhud,
having an alter-ego is just a natural part of life.
Every day he puts on his khakis and loafers, commuting to his tech
support job. Little do his coworkers know that Dawhud spends his
evenings mixing beats and writing lyrics. Little do they know that,
under his sensible button-down work shirts, he sports multiple tattoos.
Dawhud’s most noticeable ink pays homage to his wife, Kathleen, a
classically trained jazz singer. It’s a tangible testimony to the two
major loves of Dawhud’s life.
Of course, Dawhud’s passion for music runs more than skin-deep. He’s
been hooked since the age of five and can still remember his first
exposure to hip-hop. “My dad was changing the channels [on our TV] and
we came across the beginning of Run DMC’s ‘It’s Tricky’ video. The
beginning of it is Penn and Teller. It’s a skit; they’re doing Three
Card Monte.” Though Dawhud’s father changed the channel just moments
after the actual rapping started, Dawhud’s interest was piqued.
 |
Nickhole
Arcade at Spider Monkey Tattoos
did Dawhud’s sleeve tattoo.
It depicts
Dawhud’s wife, a classically trained jazz singer. |
“When a lot of kids were still playing with their G.I. Joes I was
spending my allowance on tapes,” Dawhud says. He further explains, “It
wasn’t just the music; it was the culture of it–DJing, making beats,
rapping, graffiti.” Chuckling, Dawhud recalls his childhood penchant for
Hammer pants as well as his thwarted efforts to get a flat-top haircut.
He speaks with fond humor of rapping over the
South Bay Elementary PA system about topics like good sportsmanship.
Fast forward to middle school, when Dawhud realized that having a
diverse group of friends meant having access to diverse music. “Where my
parents’ collection was a lot of Credence and the Doors and Three Dog
Night, my friends had all these Gladys Knight type records.” Using this
wider range of music, Dawhud began pause mix beat-making, which involves
hours of fiddling with a double cassette deck to create a short beat.
He kept making music throughout high school and college. As he grew
older, he was able to afford more equipment and expand his production.
But it wasn’t until his mid-20s that Dawhud got serious about recording
an album. “A friend of mine, Tommy, passed away and that was really what
made me realize that I can’t just think, ‘Well, I’ll get around to it…
someday.’”
 |
Dawhud’s dog Max often keeps him
company in the recording studio. |
Dawhud began revisiting his earlier work, reshaping it into the critically acclaimed
Basement Sessions.
It’s a concept album examining the relationship between an artist and
his larger-than-life on-stage persona. Dawhud describes it as a
reimagining of
Fight Club set in his own adolescence. It’s about a
kid going to high school and then, outside of school hours, meeting up
with people to free-style.
The album—indeed, most of Dawhud’s work—celebrates golden-era
hip-hop. “The way I tackled it was not to just put something out. I was
thinking about all the music I grew up with and liked, and I thought if
this is my only shot I want to make something that, one, I would want to
listen to and two, if this is it, I want it to be
it.”
But as it turned out,
Basement Sessions wasn’t it. Dawhud kept getting ideas, kept composing, and kept growing his contacts within the hip-hop community.
Last year, Dawhud sent a song to DJ Premier, who is widely considered
one of the greatest hip-hop producers of all time. DJ Premier has his
own record company and has worked with such big-name artists as Common,
Mos Def, and Snoop Dogg. Currently, DJ Premier also hosts
a weekly radio show.
Dawhud sent in a copy of his song “Battle Anybody” (featuring A.C.E.
One) after hearing that DJ Premier was willing to listen to demos.
“I honestly was like, ‘Whatever. He’s never gonna hear this. But why
not?’ And then I completely forgot about it.” It took a friend’s text
message to clue Dawhud in that DJ Premier was actually playing his song
on air.
“I totally screamed like a little girl,” Dawhud confesses. It got even better. DJ Premier published
his list
of the top 20 hip-hop songs from 2013… and “Battle Anybody” appeared as
number nineteen. Dawhud recaps: “There’s my song. Nobody’s heard of it.
Nobody knows who I am. And then it’s right there in between Busta
Rhymes and Jay-Z.”
Needless to say, making DJ Premier’s list is a big deal. The initial
effects have been positive, but it’s still too early to predict the
long-term impact on Dawhud’s music career. He’s actually not investing
much effort in trying to forecast the future. “Just putting out the
first album was all the success I needed. Everything else has been a
blessing and well beyond what I imagined.”
Equipped with such a positive attitude, it’s no wonder that Dawhud
enjoys all aspects of his life… both as a mild-mannered IT guy and as a
hip-hop recording artist.
Want to hear Dawhud’s music for yourself? Check out
the links on
his website or look him up on
iTunes.
